Kya Kool Hain Hum 3: 5 impactful reasons that have decided movie’s fate

1/6

Kya Kool Hain Hum 3, which has Aftab Shivdasani, Tusshar Kapoor, Mandana in lead roles, released on Friday and the hatchets are out already about what the filmmakers have done to the franchise. Here are 5 reason that have decided the direction of the movie:

2/6

1. Kya Kool Hain Hum 3 in the first half lives up to its sex comedy adage and plays along with the franchise theme of being a sex comedy. However, come the second half, the film's director Umesh Ghadge seems lost and directionless. As a result, Kya Kool Hain Hum 3 appears to be one comic scene stitched to another and all of it is turned into a full length feature film. (Bollywood Hungama)

3/6

2. Kya Kool Hain Hum 3 is replete with negative aspects, and the film hinges on a wafer thin plot, and relies largely on jokes and gags for effect. Overall, with outrageous lines and scandalous visuals the film appears somewhat funny at times but cheap in the overall perspective. The desired impact is missing entirely. (Bollywood Hungama)

4/6

3. Filled with sexual innuendo, adult jokes and impish humour that seems forced in the narrative, Kya Kool Hain Hum 3 turns into a serious letdown with the blame solely pinned on the director and its shabby writing cum vacuous screenplay by Mushtaq Sheikh and Milap Zaveri. (Bollywood Hungama)

5/6

4. Though there are instances where you feel like Umesh has somehow managed (read 'struggled') to maintain the film's proceedings, these are few and are limited to the first half of the film. In fact the only scenes which leave an impact are the funny takes on Bollywood films like Kick, Rockstar, SIngham, Ek Villain, Sholay… to name a few. (Bollywood Hungama)

6/6

5. Even the music (Sajid-Wajid) in Kya Kool Hain Hum 3 is nothing to write about, it remains an average fair with the track 'Aaj House Party Hai' being the only song that leaves an impression of sorts. The background score (Raju Singh) does help lift a few moments but is not enough. To summarise, the unmemorable music coupled with a bad script by Mushtaq Sheikh and Milap Zaveri, compounded with bad direction destroys the otherwise successful franchise. Even dialogues by Milap are a letdown. The editing (Nitin Rokade), cinematography (Manoj Soni) and sound (Parikshit Lalwani, Kunal Mehta) are average. At many places, there have been audio replacements made from what was seen in promo, which adds to the list of spoilers in the film. (Bollywood Hungama)