Documentaries and plays are finding their own streaming destinations online
The steady increase in paid subscriptions for mainstream OTT video streaming platforms is giving impetus to niche platforms. DocuBay, discovery+, Mubi and Nine Rasa are some of the platforms in India streaming documentaries, critically acclaimed movies from around the world, and Indian theatre productions.
According to the FICCI-EY media and entertainment report 2021, 28 million Indians (up from 10.5 million in 2019) paid for 53 million OTT subscriptions in 2020, leading to a 49% growth in digital subscription revenues. Further, 284 million Indians consumed content which came bundled with their data plans. Subscription revenue from digital platforms stood at Rs 4,350 crore in 2020. Could these niche platforms break into the subscription market?
Girish Dwibhashyam, VP – strategy, DocuBay, says the platform has 1.5 million users at the moment. He estimates the overall addressable market for documentary platforms to be around 20% of Indian internet video viewers. As per FICCI-EY, India had 468 million video viewers as of 2020, expected to reach 650 million by 2023.
Issac John, direct-to-consumer head – APAC, Discovery, says that 45% of the viewership of discovery+ comes from tier II cities, and the rest from metro and tier I cities. About 60% of the viewership is contributed by males on the platform.
“Niche platforms are intended to serve English-speaking, socio-economic class A audiences. Depending on the pricing of the platform, the universe of the platform could be 10-50 million viewers,” says Jehil Thakkar, partner, Deloitte India.
DocuBay offers an annual subscription plan for Rs 999; premium content on discovery+ can be accessed for Rs 299 per year; while the yearly plan for Mubi comes at Rs 3,499; and Nine Rasa charges users Rs 599 per year for curated theatre performances. Masterclass, which offers courses by celebrities, charges Rs 15,500 for an annual subscription.
International platforms like Masterclass and CuriosityStream are able to tap into Indian audiences, even without content in Indian languages or themes. DocuBay’s content is accessible from 170 counties, the platform claims. The one-year-old discovery+ has been adding international content, from the BBC and such, which is not available on its television counterpart. John informs that five to six of the 50-60 originals on discovery+ are made locally.
Nine Rasa, a platform meant exclusively for the performing arts, plans to add four new plays every month by commissioning projects and acquiring rights of recorded plays as well. Maintaining production quality is a challenge, says Shreyas Talpade, founder of the platform. He aims to match the quality of content available on other mainstream platforms by shooting plays with a multi-camera set-up.
Up the niche
A large library alone is unlikely to attract users, say analysts. “All platforms, mainstream or niche, need to have tentpole properties where they over-invest. This tent-pole property becomes the hook to draw users in. And it is the quality of content that becomes the key differentiator,” says Thakkar. Independent niche platforms are yet to be recognised for their tentpole original shows.
Meanwhile, mainstream OTT platforms have been building their niche content libraries, too, having tasted success with non-fiction content — shows like Wild Wild Country and Tiger King on Netflix are two popular examples. Mautik Tolia, MD, Bodhitree Multimedia, a production house, says, “While there has been an increase in interest to create non-fiction content, most of the work is being commissioned by platforms like Netflix and Amazon Prime Video.”
Tolia expects consolidation to happen in the niche OTT segment, as maintaining a steady flow of content and investing in marketing require deep pockets. “The entry barrier is low for digital, but to stay in the market in the long term, platforms will need to invest heavily in standout shows,” he adds.