| Mirror
images of city life
Bella
Jaisinghani
Quasar
Thakore Padamsee probably figures among the youngest directors
on Mumbai’s theatre scene. Just in his early 20s and head
of Q Theatre Productions for the last three years, Quasar
has adapted two English plays with which Mumbai might identify.
Q Theatre staged The Urban Burden, a set of two one-act plays,
last week in Mumbai. The inaugural performances of Lunch Girls
and The Lucky Ones were also held at the NCPA’s Experimental
Theatre. A six-week schedule of performances is in the offing.
Both presentations highlight life in a metropolis, and focus
on the fallout of working long, fixed hours. The stresses
and strains of city life and a lack of time and opportunity
are factors common to both plots.
The director chanced upon these plays on his bookshelf at
home. “My mother had picked them up when she was in England,”
he says. “I read them just for a lark, but soon realised that
they were screaming out for adaptation.” The plays were originally
set in England, and Quasar has “kept faithful to the spirit
of the plays, despite trimming some strong English references”.
He gives a brief outline of the plots. “Lunch Girls brings
up a problem that is so typical of present-day Mumbai. Four
young women want to meet up for lunch, but never manage to
do it because something or the other keeps coming up. In fact,
in none of the scenes do all the friends even appear together.
Their interaction is shown through the telephone conversations
they have with one another,” he says.
The other play, The Lucky Ones, is set in an office basement.
“It features four colleagues who talk about the problems they
face at the workplace,” explains the director. “For most people
in the city, life is all about landing a job or getting promoted.
But their spirit crashes when they have to take everything
in the line of duty, even suffer injustice. One of the characters
in this play is idealistic, another is ambitious and has learnt
the ropes, while the fresher has stars in his eyes because
he is so new to the workplace.”
The Urban Burden does not offer a solution to any of these
problems, Quasar says, simply because there is no conceivable
answer. He agrees with Ron Hart and Tony Merchant, who wrote
Lunch Girls and The Lucky Ones in a different time and place.
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