eight Oscar nominations, does a virtuoso performance of ďI Dreamed a DreamĒ -- crying for her shaved hair, plucked-out teeth and lost dignity, and condemning the world, including us, for it. Hooperís decision to record the songs live on camera makes perfect sense here.
The film comes into its own in these brief flashes till what is easily the highlight: the barricade of the Pairs 1832 uprising, when a group of youth stood up to the new monarchy. Hooper builds up the brief revolt as well as the quick tragedy of it quite nicely.
So much so that by the time he works up to the grand finale, it seems like a different film than from where it began. Fans of Hugoís book would argue the same about how far the film strays from it.