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Mythology reigns TV screens

Sagorika Dasgupta

Posted: Sunday, Apr 06, 2008 at 2042 hrs IST
Updated: Sunday, Apr 06, 2008 at 2042 hrs IST


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: of the Indian population is around 25 years of age, they were too young when Ramayana or Mahabharata were aired on Doordarshan, the only channel available on television in the 80s. Even the television penetration back then was only into 9 million homes against the 67 million homes today. So it serves the dual purpose of catering to a larger viewer base as well as creating a recall factor for the youth,” explains Kejriwal.

Due to the increased competition amongst channels, there is an emphasis on quality content. Most of the channels are resorting to advanced production quality to motivate viewers to watch these age-old epics packaged differently.

Says Ashish Kaul, executive vice president, Essel Group and Zee network, “Costume dramas have the scope to showcase production skills in terms of the opulence, grandeur and the larger-than-life sets that these dramas require. Since the Indian audiences have been exposed to technological advancements and special effects through numerous Hollywood and Indian films, effective programming and high quality production will be of great value.”

But will the remakes succeed? “The sheer scale that we will use to retell the story of the Mahabharata will captivate entire families. It will be a compelling narrative, which will capture the imagination and get audiences involved with the characters and tracks. We’re confident of matching up to BR Chopra’s Mahabharata right from direction, screenplay, special effects and acting performances and creating another historic television epic. We’re portraying the epic with a completely different look and feel,” quips Keertan Adyanthyaa, general manager and executive vice-president, Star Plus.

The main reason why these stories click with the audiences is because viewers are used to understanding a basic plot of a television show, the moment there is a difference in the content platter it simultaneously enhances the consumption pattern. Due to the flood of GECs there is stiff competition among TV channels to replace each other from a given time band. The key lies in being different and relevant at the same time.

And with advertisers finding these shows an appropriate platform to advertise on, nobody seems to be complaining. Punitha Arumugam, group chief executive officer, Madison Media, says, “Costume dramas are the lowest risk slots since many advertisers feel that they are an appropriate platform to bet on. Mythology and period dramas have always been popular with the audiences and these are good slots to buy. It is a lucrative medium for advertisers...

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