The increasingly competitive scenario where reaching the multi-crore finish line within a short span is a filmís most significant virtue, the combo deal of paid previews, aggressive star promotions and a hike in ticket prices is turning out to be the best bet for film-makers
Watching films a couple of days before it is officially out in the public domain, is one of the privileges that members of the fourth estate enjoy. And without tickets too! So it was with great enthusiasm that yours truly caught both Chennai Express (CE) and Once Upon Ay Time in Mumbai Dobaara (OUATIMD) at one of these screenings and though both were poles apart, I enjoyed them both.
However, scribes were not the only ones to enjoy the out-of-turn screenings. This Eid and Independence day, Bollywood extended this privilege to the masses as well, albeit for a premium price. In the film industry where films are guarded as zealously as national secrets till the Friday dekko, paid previews are increasingly becoming the norm especially for big, tent-pole projects by the studios. Quite like the special shows, press previews and so on organised by producers, paid previews are held a little earlier than the Friday releases and the tickets, therefore come at a steep price. And to sweeten the pot further, plexes even rope in stars to make a short appearance before the audience. So, if you were wondering about SRK being present at malls and plexes across cities all through the weekend, it was to ensure that his film netted high numbers. And it did.
Chennai Express was a laugh riot (expected from Rohit Shetty who has made quite a name for himself with family laughathons) for most part with glimpses of the famed SRK humour, a significant part of it directed at himself. And, predictably got off to a good start. Deepika Padukone, the leading lady of the film was in great form too, carrying off the role with much aplomb! Enough has been said about merits of the film, but what the stats associated with CE (Rs.150 crore plus revenues) suggest is that in