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Next comes what is easily the albums best song, Locha-e-Ulfat, that goes on to show just how well the composers do when they are able to nail the joyous Bollywood pop number, reminding me of two of my favourite songs from last year such as Badtameez dil and the Shuddh Desi Romance title song. Almost everything works for it: the terrific bagpipe hook, Bhattacharyas mint fresh lyrics that marries an everyday simplicity with college romance, and Benny Dayals voice channels much of its buoyant energy.
Mast magan, a sort of spiritual love song, has a wonderful chorus, and it grows on you. My only reservation is its uncanny resemblance with Ishq sufiyana. The loud Punjabi family wedding song Iski uski is spoilt by too many voiceswith six singersand lack of a central good tune. I am yet to decide on Chaandaniya, which plays around its loopy guitar plucks, much like SELs Mera Yaar from last years Bhaag Milkha. While K Mohan and Yashita Sharmas heartfelt singing and the country-folk vibe in the arrangement works, there is a sameness that weighs the song down.
Hulla, with killer dhol beats, brings back the vibe of SELs superbly energetic dance numbers from Jhoom Barabar Jhoom and Bunty aur Babli. Also, there is much joy to be had from the spirited father-son jugalbandi of Shankar and Siddharth Mahadevan. While this and Locha-e-Ulfat will sit atop any favourite list this year, the remaining songs of 2 States have their moments but still fall short of the composers talent.